
Antoine Plante - Conductor, Viola da Gamba
Praised by audiences and musicians alike for his conducting verve and innovative programming, Antoine Plante is a young conductor who has garnered accolades for bringing Baroque music to life. “Plante led with his usual gusto and the performances were full of character,” said Charles Ward of the Houston Chronicle; “He got a fast, effective and vibrant response from the orchestra," Was reported in El Comercio, Quito, Ecuador.
Plante is a founder of Mercury Baroque, a Houston, based orchestra that has experienced remarkable audience growth over its seven-year history. In that capacity, Plante has become known for his deftness in balancing a repertoire of great works with lesser-known and reconstructed pieces. His exciting musicality has made him an audience favorite, as evidenced by Mercury’s subscription renewal rate of over ninety percent and the orchestra’s need to move to ever-larger halls.
Equally important, Plante has earned a reputation for coaching musicians in period performance technique. Musicians that have worked with him form the core of a burgeoning early music performance scene in Houston. He is also a passionate supporter of classical music education and has led Mercury’s educational outreach program – a significant effort that includes classroom music education in under-served elementary schools, master classes for school orchestras, and performances for schoolchildren. Plante recently created a series of lectures on Baroque music, which he inaugurated at the Women’s Institute of Houston.
Plante is experienced in directing orchestral pieces as well as works for voice, and has conducted several operas and ballets. He worked with Dominic Walsh Dance Theater to create a score for the Dominic Walsh ballet Romeo and Juliet. Recently, Plante has conducted Handel’s complete Messiah and Water Music, as well as Caldara’s Missa Commemorationis. His opera repertoire includes Rameau’s Pygmalion and Handel’s Acis and Galatea. His experience is not limited to Baroque pieces, however, and his repertoire includes Classical works such as Mozart and Haydn symphonies. In addition to his work with Mercury, Plante has conducted the National Symphony of Ecuador and Atlanta Baroque.
Jonathan Godfrey—Baroque Violin
A founding member of Mercury Baroque, violinist Jonathan Godfrey has served as Concertmaster and violin soloist since its inception. In addition to Mercury Baroque, Mr. Godfrey is currently the Concertmaster of The Houston Bach Society, and Assistant Concertmaster of the Houston Grand Opera and Houston Ballet Orchestras.
As an orchestral musician, Mr. Godfrey has performed with many fine ensembles including the Houston Symphony, the IRIS Chamber Orchestra, and the River Oaks Chamber Orchestra. He has also served as Concertmaster of numerous orchestras including, the Sinfonietta Cracovia, The Houston Grand Opera Orchestra, The American Radio Chamber Orchestra, Orchestra X, and the Pacific Music Festival Orchestra. He has also concertized in the US and abroad, performing solo and chamber music recitals in Boston, Chicago, Cleveland, Houston, Interlochen, and Kansas City, as well as Guanajuato, León, Monterrey, and Santiago Mexico; Yokohama, Kyoto, Matsumoto, Sapporo, Date, and Tokyo Japan, and Quito and Ambato, Ecuador.
As a teacher, Mr. Godfrey has taught private students for the past nineteen years. He served on the violin faculty of both the Interlochen Arts Camp and the Rocky Mountain Summer Conservatory. He was the teaching assistant of both Julia Bushkova at the Interlochen Arts Academy, and Kathleen Winkler at Rice University, where he completed his Master of Music Degree.
Mr. Godfrey plays on the first of a set of instruments to be made specifically for Mercury Baroque by violinmaker Dorian Barnes. This instrument was generously donated to Mercury by the Kirchner family.
Ana Treviño-Godfrey, DMA
Captivating and versatile soprano Ana Treviño-Godfrey is a founding member of Mercury Baroque and has sung with the ensemble since its inception performing concerts and operas in both the US and abroad, including performances at the Cervantino International Music Festival in Guanajuato and León, Mexico and the National Symphony Orchestra of Ecuador in Quito. Equally proficient with other styles of music, Dr. Treviño-Godfrey was a featured soloist with both the Houston Chamber Orchestra and Orchestra X, Dominic Walsh Dance Theater, and Hope Stone Dance Company.
Her opera roles include Galatea from Acis and Galatea, Colette from Le Devin du Village, Serpina from La Serva Padrona, Grisostomo from Don Quixote, Gasparina from La Canterina, Adele from Die Fledermaus, Adina from Elisir d’ Amore, Zerlina from Don Giovanni, Susanna from Le Nozze di Figaro, Despina from Così fan Tutte, and Belinda from Dido and Aeneas.
As a pedagogue, Dr. Trevino-Godfrey has taught students at Rice University, The Cleveland Institute of Music, Houston Community College, The Interlochen Arts Camp, The Rocky Mountain Summer Conservatory, and at Rice University's Summer Vocal Institute.
Her education includes The Interlochen Arts Academy (high school), The Cleveland Institute of Music (BM), Rice University (MM and DMA). Summer programs include The Interlochen Arts Camp, Tanglewood Institute, and Oberlin’s summer program in Casalmaggiore, Italy.
Dr. Trevino-Godfrey is the founder and director of "Prelude Music Classes for Children", a music school which offers developmental music classes for children from birth to age 7, and also Prenatal music.
10.08.11 | 8 pm Saturday
Encyclopedia Bach-tannica
11.19.11 | 8 pm Saturday
Love, Power and Politics
12.09.11 | 8 pm Friday
Sing-Along Messiah
12.10.11 | 8 pm Saturday
Complete Messiah
01.21.12 | 8 pm Saturday
"Farewell" Haydn, Hello Mozart
02.14.12 and 02.17.12 | 8 pm
A French Valentine
03.30.12 | 8 pm Friday
The Virtuoso Violin
05.11.12 | 8 pm Friday
Heroic Beethoven
Photos:
George Hixson, Amitava Sarkar, Jim Caldwell, Jorge Vinueza G., and Francisco Montaño.
Graphics & Web Design:
Etienne Plante